Showing posts with label 3 DESIGN PROCESS/DESIGN COLLABORATION. Show all posts
Showing posts with label 3 DESIGN PROCESS/DESIGN COLLABORATION. Show all posts

Wednesday, April 9, 2008

Small Cart (next generation)

This is the newest version of the small collecting/distributing cart.

Cooking and Eating Arrangements

The following are a series of cart arrangements for cooking and eating, influenced by different BBQ traditions - whether they are based on cultural practices, or the type of event that is taking place. Most of these arrangements were generated during a 1-hour brainstorm session, with each person in the class contributing at least one arrangement of the three carts.
















Tuesday, April 8, 2008

table cart

The table cart has been slightly altered. The new design features 'trainging wheels' on the corners of a box truss that is now the main support for the long tables (see image 2). These wheels will be on adjustable mounts that can be easily lowered to provide a stable table when deployed. The rear wheels will now be able to fully rotate to accommodate the different modes of travel. This will require that they are also equipped with a device to lock them into 'travel mode'.

Saturday, March 29, 2008

March 28 Meeting and Eating: 3 Videos, 19 Images

Lots of fun at the March 28 Mount Dennis Community Kitchen Meeting (and Eating).

Scott Keyes giving another tour of Mount Dennis. . .



. . . presenting the latest version of the mobile kitchen to the Community Kitchen group . . .



. . . the young and the young-at-heart trying out the prototype Collection/Distribution cart. . .



. . . discussion around the latest version of the mobile kitchen . . .





. . . and the Collection/Distribution prototype in action.














Friday, March 28, 2008

1837: Of Refrain

Summary

Definitions

Questions

Overall, we may say that music is plugged into a machinic phylum infinitely more powerful than that of painting: a line of selective pressure. . . . Painters, at least as commonly portrayed, may be much more political, and less controlled from without and within.
(348)

In the Mount Dennis mobile kitchen project, who are the painters, and who are the musicians? How can we encourage painters to become musicians, and musicians to become painters? Or is this a false duality: are musicians always painters, and vice-versa?

The refrain also has a catalytic function: not only to increase the speed of the exchanges and reactions in that which surrounds it, but also to assure indirect interactions between elements devoid of so-called natural affinity, and thereby to form organized masses. (348)

If we consider our mobile kitchen as a refrain, as a territorializing assemblage (the seed of order in chaos, organizing a limited space around an uncertain and fragile centre, open to the future and the cosmos), how does our it instrumentally organize heterogeneous masses? How do we ensure that this organization remains rhizomatic?

Your synthesis of disparate elements will be all the stronger if you proceed with a sober gesture, an act of consistency, capture or extraction that works in a material that is not meager but prodigiously simplified, creatively limited, selected. (344)

What strategies (material choice, procedural, conceptual, division of labour, or otherwise) can we employ to prodigiously simplify, creatively limit, and select our final design direction?

Thursday, March 20, 2008

Incremental Approvals for March 20

Dear Adrian:

We have approved the following design direction:

Structures -

Are going to program and prototype the small cart. Incorporate connections of containers to the frame.

Materials -

Test sewing of offcut materials (canopy prototype)
Source steel on Monday.
Continue to explore sources of industrial waste material(s).

Program -

Combine Harry, Graham and Pam's into a synthesized large cart.
Description of parts
- rotating joints
- triangular forms (as table tops)
- additional wheels at pivoting points to remove requirement of legs
- rounded corners
- wood (exterior material)
- steel frame
- ingenuity
- whimsy (not unanimous, +/-85%)


regards, the class